Sources: Karl Barth, "The Strange New World of the Bible," in The World of God and the Word of Man (Harper, 1957); Willis Barnstone, ed., The Other Bible: Ancient Alternative Scriptures (HarperCollins, 1984); Bart Ehrman, The New Testament: A Historical Introduction to the Early Christian Writings, 3d ed. (Oxford, 2004); I. Howard Marshall et al., Exploring the New Testament: A Guide to the Letters and Revelation (IVP, 2002), chapter 21; John O'Keefe and R.R. Reno, Sanctified Vision: An Introduction to Early Christian Interpretation of the Bible (Johns Hopkins, 2005).
Reading: Rev. 1:3.
The World of a Text
It is one thing to read, but another thing to be a reader.
An exercise in close reading of Rev. 1.
Reading is not just a technique but a skill and ultimately a form of wisdom.
The frustration and exhilaration of reading owe to the demands it makes on us.
just a backgrounder on the content and settings of biblical writings
or a critical examination of contemporary cultures, but
a pilgrimmage through the New and Old Testaments to the Kingdom of God.
The Family of a Text: Genre
Genre is the literary class of a text whose conventions structure it and guide its right interpretation.
Genre is like the legend of a map.
Family resemblances can be direct inheritance or indirect, shared heritage.
Writings are often intertextual. Revelation resembles a remix or "mashup" (e.g., The Beastles).
Revelation's genre is apocalyptic.
Uncles and aunts: 1 Enoch (<175 BC), Sibylline Oracles (~150 BC).
Parents: Ezekiel 1, Daniel 7-9, and especially Rev. 1's other echoes.
Revelation's kindred (siblings? cousins?):
Other apocalyptic texts of the New Testament (e.g., Mark 13), 4 Ezra (2 Esdras 3-14, see e.g. 11:1-12:39), Apocalypse of Peter (>100 AD), Shepherd of Hermas (e.g., Fourth Vision), Ascension of Isaiah.
Children (nieces and nephews?): Apocalypse of Paul, Apocalypse of Thomas.
Second cousins: (Gnostic?) Christian Sibyllines, (Gnostic) Book of Thomas the Contender.
Divine Comedy, etc. (and us as well?).
The Goal of a Text: Occasion and Audience People write for specific reasons and motivations.
Critics want to know or correctly infer the occasion of a writing.
Clues: Rev. 1:3, 1:9a, 2:5-7, etc.
People write to specific or 'implied' audiences.
Revelation is unusual for apocalyptic literature in being addressed to seven specific churches in Asia Minor (1:4, 1:11, 1:20, 2:1-3:22).
Example: Laodicia, in the Lycus Valley, with problematic water sources.
Yet texts exceed these occasions and audiences, sometimes intentionally.
The content of 2-3 matches 4-22 (Johnson, 585). So Revelation focuses apocalyptic prophecy on specific circumstances of apostolic churches, yet with an expansive view beyond (7:9-17).
This overflow is fundamental to the character of Holy Scripture.
The Bible is the Bible of the one, whole, universal, original Church of Jesus Christ.
In our wildly different contexts, we are members of that Church and among the Bible's primary audiences.
So Christians today read Revelation as in some sense to and for us too (e.g., my "Laodicia, U.S.A." chapel talk).
Becoming a reader of the Bible thus demands and confers wisdom regarding the senses of Scripture.
Proper literal and figural readings depend on and strengthen that wisdom (see O'Keefe and Reno, Sanctified Vision).
This course aims to cultivate that wisdom by focusing on issues of faithful Christian practice ('theological ethics').