Degrees & Programs Music
Develop your musical skills and knowledge with Christian professors who encourage your creativity and relate faith to the art and craft of music.
Engage in the serious study, composition and performance of great music at an advanced level. Discover the vital role music plays in the liberal arts and the Westmont community. Choose from the BA degree in music on the general, music performance, and music composition tracks or earn the professional Bachelor of Music Education (B.M.E.) degree that leads to a public school teaching credential. You may also choose the Bachelor of Music (BM) degree in performance with a concentration in voice, orchestral instruments and piano. Study at a school accredited by the National Association of Schools of Music (NASM).
National Association of Schools of Music
11250 Roger Bacon Drive, Suite 21
Reston, VA 20190-5248
(703) 437-0700 Phone
info@arts-accredit.org
A Safe Return to Music Making
Dear Westmont Music Community,
For at least a time this coming year things will look and feel a little different from the old normal as we strive to bring our musical community back together this fall! The list of protocols below is provided to help make everyone feel welcome and safe, and to keep everyone healthy in the coming weeks. Hopefully we will gather in August in good health and diligently use procedures such as these to keep us all healthy throughout the year!
Blessings,
Dr. Michael Shasberger
Music Department Chair
Frequently Asked Questions for Fall 2020
Lessons are not canceled. Some private lessons will be done remotely, but students should be in contact with their private teachers to discuss this. Most lessons will occur on campus with normal social distancing protocols in effect: 6-feet social distance for most instrumentalists and additional space and ventilation for singers and flutists, Face masks, plexiglass partitions where appropriate, portable air filtration systems, and/or other equipment designed to minimize risk will be used. Some lessons will occur online via Zoom at the discretion of each individual instructor and when possible to answer student requests. Students should not attend a lesson if they are exhibiting any of the identified symptoms of COVID-19.
Yes. Choirs will be meeting at Montecito Covenant Church with adjusted ensemble breakout groups, extra spacing, masks, and more to minimize possible risks. Instrumental ensembles such as orchestra, jazz, and smaller chamber groups will meet in designated locations that provide adequate space for the unique needs of distancing experienced by each ensemble. Wind and brass instruments will be fitted with special custom “masks'' and other devices to enhance safety and limit aerosol dispersion. Most rehearsals will be shorter than customary and students will be responsible for a greater percentage of personal preparation than may have been customary in the past. All large ensembles will also function as small interchangeable chamber ensembles for some performance functions. We are calling this approach FIMEs (Flexible Interchangeable Musical Ensembles)!
Yes, please do so via the normal means found here.
Yes, as of right now, we are making plans to hold colloquium on the steps of Deane Chapel. The performer will be at the entrance of Deane Chapel, with the accompanist positioned just inside the building behind the performer. Audience members will sit outside on the Deane Chapel lawn. Bring your own blanket or chair to sit on. Sign up early for those first few Colloquiums! In the case of inclement weather or additional health restrictions Colloquium will move to the live Zoom online format we established in the spring.
Yes, the Music Building and its practice rooms will be open once the school year starts, but only to those students enrolled in private lessons and to their respective instructors. There will be special health related protocols added to practice room use policies including:
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Disinfectant wipes will be provided for each piano. Please use these prior to and after playing the instrument. Be thorough in wiping down the keys but careful not to let moisture flow down between keys.
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A 5-minute timer will be provided for each practice room. When you leave please leave the door open and start the timer, turning it over with the same disinfectant wipe you cleaned your piano keys. When approaching a practice room please wait until the timer has run out before entering the room.
Yes, the Music Office will be open, but things may look a bit different this time around. In order to reduce the heavy volume of traffic that we often see, office staff are requesting that you please email music@westmont.edu or call the office (805) 565-6040, to avoid in-person interactions. If you must come to the office, please approach the office window from the patio and ring the bell. Office staff will then meet you at the window for assistance.
Touring is suspended until we have a 3 month window of preparation without travel restrictions, which probably means either the availability of specific therapeutics, a vaccine or established herd immunity. So, for example if there was a vaccine available to all members of the ensemble in early February, we might be able to schedule a May tour in any given year.
Retreats will be small group affairs on campus until similar health mitigation strategies to the touring policy are established.
Concerts will either be live-streamed or pre-recorded. Some performances will be professionally recorded and some will be produced on campus. This fall we will plan on releasing a performance each Friday at 7:00 P.M. commencing September 4.
COVID-19 Quarantine Concert Series
At this time seven years ago we were celebrating Daniel Gee as our “First Senior,” or valedictorian. Now we are welcoming him back to join the Music Department as an assistant professor who will focus primarily on the choir and choral groups. The recipient of a prestigious Lilly Graduate Fellows grant, Daniel is completing his doctorate in music arts at the University of Southern California.
Along with his interest in choral music, Daniel has been studying orchestral conducting, composition, and music theory. During his time at USC, he has been the associate director of the men’s chorus and the women’s choir, and has written several commissions, including new settings of “To God Be the Glory” and “Of the Father’s Love Begotten” for Westmont groups. He is also the assistant conductor of the Long Beach Symphony Orchestra.
Matthew Roy, a Westmont graduate with a UCSB doctorate, joins the Music Department in a one-year role, covering for Grey Brothers while he is on leave for a year doing ministry work in Mexico. Matthew has been the music director at El Montecito Presbyterian Church and Providence Hall, and has taught previously at Westmont, UCSB, and Eastern Washington University.
Westmont music professors have brought back the popular Select House Concert Series, performing four chamber concerts on Saturdays, March 21, April 25, May 30 and June 20; all at 3 p.m. in homes to be announced once tickets have been purchased. Individual concert tickets, which go on sale beginning March 1 at westmont.edu/music, cost $50 each or $160 for a four-concert package. All proceeds support scholarships for Westmont music students.
“The attendees last year were delighted with both the wonderful settings and the intimate connection with the music-making of our wonderful faculty artists,” says Michael Shasberger, Adams professor of music and worship at Westmont. “The range of performances creates an exciting series of concerts featuring solo artists and chamber music on a variety of instruments and voices. Last year the series sold out quickly.” Cellist John Saint’Ambrogio will provide a historical survey of cello music with focal points from Bach, Rachmaninov and Saint Saens on March 21. Soprano Nichole Dechaine, accompanied by pianist Bev Staples, will perform beloved art songs and arias on April 25 in the Santa Ynez Valley. Tenor Bryan Lane, accompanied by French hornist John Mason and pianist Erin Bonski-Evans, performs pieces by Britten and Schubert on May 30. Flutist Andrea Di Maggio, bassoonist Paul Mori and harpsichord accompanist Neil Di Maggio perform an afternoon of Baroque classics on June 20.
Ticket Sales are Temporarily Suspended Due to the Current Situation
The National Association of Schools of Music has approved a Bachelor of Music in performance at Westmont for orchestral instruments, piano and voice beginning in fall 2019.
“This latest affirmation of the quality of our music program excites us and expands our opportunities to bring top musical talent to our choirs, orchestra and ensembles,” says Provost Mark Sargent.
In the last seven years, the college has significantly enhanced its music curriculum, strengthening programs in music education and worship leadership and adding courses in piano and vocal literature.
“The new degree completes a robust portfolio of offerings for talented students seeking to excel in professional music careers,” says Michael Shasberger, Adams professor of music and worship. “Students who plan to continue their musical training in a conservatory or pursue a career in performance after they graduate will benefit from this degree. Westmont now offers a full range of choices from the Bachelor of Arts in music with a liberal arts emphasis for double majors to the more focused professional degrees of the Bachelor of Music Education and the Bachelor of Music in performance. We hope the new degree will attract more high-caliber performers from around the world.”
Sample Schedule
- MU 10 Principles of Music I
- MU 12 Principles of Music II
- Ensembles
- Private Lessons
- MU 110 Principles of Music III
- MU 112 Principles of Music IV
- Ensembles
- Private Lessons
- MU 15 Conducting
- MU 120 Music History I
- MU 121 Music History II
- Upper Division MU and/or MUA Electives
- Ensembles
- Private Lessons
- Junior Recital
- ART 131 Theory and Criticism in the Arts
- Upper Division MU and/or MUA Electives
- Ensembles
- Private Lessons
- Senior Recital
Faculty Highlights
Active Faculty By Instrument
- Brass
- Daniel Fraats, Brass Coordinator
- Eric Heidner, Trombone, Tuba
- Stephen Hughes, Trombone, Tuba
- John Mason, French Horn
- Jim Mooy, Trumpet
- James Watson, Trumpet
- Composition
- Dr. Steve Butler, Composition
- Conducting
- Dr. Steve Hodson, Conducting
- Dr. Michael Shasberger, Conducting
- Ensemble Directors
- Dr. Grey Brothers, Chamber Singers, Choral Union
- Eben Drost, Jazz Ensemble
- Daniel Gee, College Choir
- Karen Janzen, Choral Union
- Dr. Paul Mori, Chamber Orchestra, Wind Chamber
- Matthew Roy, Choral Union
- Dr. Michael Shasberger, Orchestra
- Music History and World Music
- Dr. Steve Butler, World Music
- Matthew Roy, Music History
- Music Theory
- Dr. Steve Butler, Music Theory
- Percussion
- Jonathan Palmquist, Percussion
- Piano and Organ
- Erin Bonski-Evans, Collaborative Pianist
- Jim Connolly, Piano Technician
John Douglas, Jazz Piano - Neil Di Maggio, Collaborative Pianist
- Dr. Steve Hodson, Piano Coordinator, Piano, Organ
- Dr. Egle Januleviciute, Piano
- Thomas Joyce, Organ
- Heather Levin, Piano
- Pascal Salomon, Collaborative Pianist
- Strings
- Christopher Ahn, Cello
Jim Connolly, Double Bass - Marcia Dickstein, Harp
- Angela Ezeonyeka, Viola
- Ira Glansbeek, Cello
- Trevor Handy, Cello
- Emily Sommermann, Violin
- Dr. Han Soo Kim, Strings Coordinator, Violin
- Anthony Ybarra, Guitar
- Voice
- Dr. Nichole Dechaine, Voice
- Bryan Lane, Voice
- Kathleen O'Brien, Voice
- Dr. Robert Rockabrand, Voice
- Sara Rockabrand, Voice
- Woodwinds
- Catherine Del Russo, Oboe
- Andrea Di Maggio, Flute
- Dr. Joanne Kim, Clarinet
- Andrew Martinez, Saxophone
- Dr. Paul Mori, Wind and Brass Coordinator, Bassoon
- Adelle Rodkey, Oboe
- Laura Walter, Flute
Meet the Staff
Office and Tour Manager
Email: kerickson@westmont.edu
Tel: (805) 565-6240
Office: Music Building 101
Music Department Administrative Assistant
Email: music@westmont.edu
Tel: (805) 565-6040
Office: Music Building 101
Westmont Ensembles
Westmont’s principal choral ensemble and touring concert choir, is now under the direction of Professor Daniel Gee. The choir performs the classic repertoire of the past five centuries, along with spirituals, folk song arrangements, and music of other cultures. The ensemble presents local concerts including, each year, a major work with orchestra. The College Choir also appears at Westmont events, performs in chapel, ministers in local church services, and participates in regional choral festivals. Highlights of the year include the Christmas concert and the spring tour. To learn more about the College Choir, please see this link.
This select ensemble, now under the direction of Daniel Gee, specializes in a cappella literature, including madrigals and motets of the Renaissance, contemporary sacred and secular music, folk song arrangements, spirituals, and vocal jazz. Community outreach is central to the ensemble. In addition to performing alongside the College Choir, the Chamber Singers performs on its own locally and across Southern California and the Central Coast. Performance highlights include the Fall Choral Festival, the Christmas Concert, the Spring Choral Masterworks Concert, the fall and spring Vocal Chamber Concerts, and the spring tour. Membership in the Chamber Singers is contingent upon membership in the College Choir.
The Westmont Choral Union, now under the direction of Matthew Roy and Karen Janzen, provides a choral music opportunity for all Westmont students who are not members of the Westmont College Choir. It is open to all without audition. Geared primarily toward first-year students, the Choral Union focuses on choral music fundamentals and provides opportunities for large mixed, single-gender, and chamber ensembles. The Choral Union performs a wide variety of repertoire in various configurations and collaborates with the Westmont College Choir. Performance highlights include the Fall Choral Festival, the Christmas Concert, the Spring Choral Masterworks Concert, and the spring Vocal Chamber Concert.
The College Orchestra, conducted by Dr. Michael Shasberger, performs original literature, transcriptions, and arrangements. Included in this are works for full orchestra, string orchestra, and small ensembles. The study and practice includes various style periods and composers from the Renaissance through the Twenty First Century. The orchestra performs two major independent concerts each semester, as well as a combined Christmas concert with the choral ensembles and a major works program in the spring with the College Choir and plays for the annual opera production. Typically, the orchestra is made up of circa 60 students. Faculty specialists coach each section of the orchestra, including Dr. Han Soo Kim (violin), and Dr. Paul Mori (wind, brass and percussion).
Various Wind Chamber Ensembles, directed and coached by Dr. Paul Mori, are organized for brass, woodwind, and percussion players. The various chamber ensembles perform throughout the semester. Typical groups include a woodwind quintet, 5 brass sextet, brass choir, and flute ensemble. Other ensemble forms to meet student interest and abilities.
The Jazz Ensemble performs and studies classic and contemporary literature, including the art of improvisation, and perform both on and off campus.
A wide range of music from contemporary jazz to hymn arrangements mixed with classical pieces.
Offering traditional string quartets, trios and other ensembles. These groups have an active presence on campus and throughout the Santa Barbara community.
Fall Choral Festival
Westmont College would love to offer you the opportunity to participate in our Fall Westmont Invitational Choral Festival. The focus of the festival is pedagogical and performance oriented, NOT competition.
Choral Festival: Friday, October 30th, 2020
Application Deadline: Monday, September 14th, 2020
Westmont Music Academies
Westmont Academy for Young Artists (WAYA)The Westmont Academy For Young Artists presents a marvelous opportunity for students to sharpen their skills, meet musical friends, forge relationships with top-quality artist teachers, and infuse their summer with a dose of inspiration. The setting is beautiful and the music making is alive with spontaneity. |
WESTMONT ACADEMY FOR VOCAL EXCELLENCE (WAVE)Our distinguished teaching faculty consists of outstanding singers, choral conductors, and teachers, who will teach, inspire, and mentor the students in their lessons, performances, workshops, and classes. In addition to daily lessons and classes in musicianship, students will perform in recitals, participate in the academy choral ensemble, and attend master classes dealing with such topics as vocal technique, repertoire, artistry, and language and diction. |
Career Paths for Music Majors
- Performing musician
- Music teacher
- Church music
- Music publishing
- Music management
- Music business
- Recording
- Broadcasting
See career paths for graduates who majored or minored in music at Westmont.
Make a Gift
Donor Giving Levels
These individuals and families forge personal relationships with Westmont musicians. For a donation of $100, you receive a photo card of your adopted musician and an invitation to special receptions throughout the year.
Individuals, families and foundations contributing $100 to $299 receive a Patron Subscription Pass!
The Patron Subscription Pass is good for the following Concerts:
- Admit 2 - Fall Orchestra Concert
- Admit 4 - Christmas Concert with advanced reservation
- Admit 2 - Spring Choral Masterworks Concert
- Admit 2 - Orchestra Concerto Concert
- Admit 2 - Spring Tour Concert
Individuals, families and foundations contributing $300 to $499 receive a Benefactor Subscription Pass. Benefactors also get to adopt a musician of their choosing!
The Benefactor Subscription Pass is good for the following Concerts:
- Admit 4 - Fall Orchestra Concert
- Admit 4 - Christmas Concert with advanced reservation
- Admit 4 - Spring Choral Masterworks Concert
- Admit 4 - Orchestra Concerto Concert
- Admit 4 - Spring Tour Concert
Individuals, families and foundations contributing $500 to $999 receive a Guardian Subscription Pass. Guardian Angels also get to adopt two musicians of their choosing!
The Guardian Subscription Pass is good for the following Concerts:
- Admit 4 - Fall Orchestra Concert
- Admit 4 - Christmas Concert with advanced reservation
- Admit 4 - Spring Choral Masterworks Concert
- Admit 4 - Orchestra Concerto Concert
- Admit 4 - Spring Tour Concert
- Admit 2 - Opera with advanced reservation
Individuals, families and foundations contributing $1,000 receive a Program Sponsor Subscription Pass. Program Sponsors also get to adopt two musicians of their choosing! In addition, they choose a program during the year to sponsor, and their name will appear on the program as the concert sponsor. We couldn't do it without you!
The Program Sponsor Subscription Pass is good for the following Concerts:
- Admit 4 - Fall Orchestra Concert
- Admit 4 - Christmas Concert with advanced reservation
- Admit 4 - Spring Choral Masterworks Concert
- Admit 4 - Orchestra Concerto Concert
- Admit 4 - Spring Tour Concert
- Admit 4 - Opera with advanced reservation
- Admit 2 - Valentine’s dinner with advanced reservation
This organization includes individuals, families and foundations that make significant financial commitments of $5,000 or more annually for the future of the music program, supporting music scholarships, the acquisition of major instruments and special projects. Guild donors will receive a Guild Subscription Pass. We always welcome inquiries; you may call us at (805) 565-6040.
- The Guild Subscription Pass is good for the following Concerts:
- Admit 4 - Fall Orchestra Concert
- Admit 4 - Christmas Concert with advanced reservation
- Admit 4 - Spring Choral Masterworks Concert
- Admit 4 - Orchestra Concerto Concert
- Admit 4 - Spring Tour Concert
- Admit 4 - Opera with advanced reservation
- Admit 4 - Valentine’s dinner with advanced reservation
- Admit 2 - House Concerts
- Reserved seating for Guild competitions
- Invitation to Guild competition reception
The Music Guild Legacy Society recognizes members of the Guild who have included provisions for the Westmont music program in their estate plans. These members are vital partners who are passionate about Westmont's mission and ministry and wish to sustain future generations of music students who have demonstrated need for scholarship assistance and who would otherwise not be able to attend, build resources for special program initiatives of the music program including supporting Westmont's commitment to global education through our international touring program, and assisting the music program in acquiring artist level instruments to support the music growth of our students. Individuals interested in participating in the Legacy Society may contact the Music Office at 805-565-6040 for more information.
*If you've donated at the Benefactor, Guardian Angel, or Program Sponsor level and have not yet adopted a musician as part of your giving benefits, please call (805) 565-6040 or email music@westmont.edu for assistance. You may also visit our Adopt-A-Musician table at the next concert you attend.
To charge a gift by phone please call (805) 565-7053. Gifts to Westmont are deductible for tax purposes as allowed by law; the charitable amount of your contribution is limited to the amount in excess of the fair market value of the subscription pass you receive as a result of your contribution. For more information or to give without receiving the benefit of a subscription pass, contact Janet Sawlaw at (805) 565-7073.
Music Alumni
Daniel Gee ’13: Daniel earned a master’s degree in choral music at the University of Southern California. A conducting fellow with the Long Beach Symphony, he serves as choir director at Evergreen Baptist Church SGV. He also teaches a private studio of cello students in Los Angeles and works as a freelance cellist. “Westmont’s Music Department is simply an exciting place to be. I encourage prospective students and music majors to explore ways you can grow and contribute to the program. Treasure the unique opportunity to pursue your craft in the intentional, integrated and supportive Body of Christ at Westmont. Graduate school reminded me what a unique and special place Westmont is.”
Sarah Pfister ’12: Sarah majored in violin and viola performance and earned a master’s degree in viola performance with an emphasis in violin Suzuki pedagogy at the University of Hartford Hartt School of Music. She taught violin and viola at the Greenwich Suzuki Academy in Connecticut and is now a violinist with the ruse Opera Orchestra in Ruse, Bulgaria. “Growing up I enjoyed taking private music lessons and found fulfillment in teaching. At Westmont I felt called to bring together my love for music and teaching to pursue a career in Suzuki education. My professors encouraged me and provided the tools I needed to pursue my passions. My well-rounded Christian liberal arts education has helped me both professionally and personally.”
Megan Silberstein Billings ’14: She majored in music and is working on a Master of Music in opera performance at Oklahoma City University. She is a professional opera and musical theatre singer and teaches voice and piano at Southern Hills Baptist Church Fine Arts Academy.“My Westmont professors prepared me academically for graduate school and even more for the challenges of the real music world. They equipped me mentally, emotionally and spiritually for the battle facing modern musicians. They demonstrated the true foundation of their confidence—Jesus Christ—and lived out the difficult conviction to make music for God. Westmont pushes students to excel in music for the right reasons: Christ and His kingdom.”
Luke Mizuki ‘15 and Emily Rutherford Mizuki ‘15 met as first-year Music Majors in Westmont’s Music Department, fell in love on choir tour in Russia and Lithuania, and got married two years after graduating from Westmont. They both went on to earn a Master of Arts in Teaching from the Longy School of Music in Los Angeles and currently teach general music, band, and choir at public and private schools in Orange County. “At Westmont, we were encouraged to explore all the facets of music: composing and conducting, collaborating and accompanying, and of course teaching - before Music Education was even available as a major! Having such a well-rounded education in both the liberal arts and music has proven invaluable for us as musicians and educators.”